The better people communicate, the greater will be the need for better typography—expressive typography.Herb Lubalin
Typography is the craft of endowing human language with a durable visual form.Robert Bringhurst
Typography is an art. Good typography is Art.Paul Rand
Word Work
Our brains are symbol machines. I wanted to try and unlock words from traditional formats and add more meaning, new symbols or larger ones. New layers of symbolic meaning over old. The voice conveys so much more than merely symbolic sounds. We can understand the words and expression of the voice separately and together.We name, categorise shape much of our world through our language. Words never tell the whole truth but point hopefully towards some truth. I began to see words as symbols that work on many levels. When working on language as a mass of symbols, they then can convey new symbols that may be in alignment with the original meaning or not. Then enters dimension, perspective and composition and another layer of symbolic meaning can be introduced creating a multi-layered language, like our voices. I began to see word having a physical form, an object to be sculpted and reinvented. Moulding words into infinite new shapes and combinations. Always with the intention, the symbols still contained the original code of the writer. My job was to reformat the language with a new layer or expression and possibity, creating a synergy and a new perspective. My job was to reformat the code with a new layer or expression and a possibility that added to the inner coded symbols, creating a synergy and a new freshness or perspective. A new symbol or refreshed symbol over the old. My aim was and still is to create a sculpture using language as the material, the physical form. Allowing the viewer to experience language and words, a book for example from infinite perspectives and dimensions. To walk around, peer through, come close walk away yet still gain multiple symbolic meanings. To understand its overall value and emotion without reading a single word.
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R & J
Giclée Print, 52.5” H x 38” W (133cm x 96.5cm) 2001
It was my intention to take the tragic love story of Romeo & Juliet and represent the whole piece of language at once. To take the restrictiveness of the physical book away. The observer initially looking at the piece from a distance will see the book without words but grasp its tragic resonance and dark atmosphere, before getting closer to see the interaction of the characters in the story, again without the need to read the words. To stand back beyond language and see language from a new perspective. I have enjoyed watching peoples reaction when they realize that the art is made up of words, that the whole of such a famous story is in front of them but they could not see it. The characters are coded for example Romeo & Juliet are in red with there own typeface, the Montague family are in green with there own typeface and so on. The top section is the key to unlocking the text, a map if you like. I have also adapted a number of other famous texts in this way.

Rollercoaster of Love
Giclée Print, 46” H x 64” W (116.8cm x 162.5cm) 2004
A representation of a relationship over time with its twists and turns, ups and downs, with its intensity, its closeness then distance. At times its confusion and so on. The actual visual word love to me does not convey how love has been for me. In Roller Coaster Loves the same premise as the first but with a series of relationships with various people. It could be girlfriends over time or all my close relationships at once.

The Cross
Giclée Print On Canvas, 50” H x 36” W (127cm x 91.44cm) 2003

Genesis
Giclée Print On Canvas, 50” H x 36” W (127cm x 91.44cm) 2003

The Doors Of Perception
Giclée Print On Canvas, 36” H x 48” W (91.44cm x 122cm) 2003

Random Words Unstoppable In My Mind II
Giclée Print on Hahnemühle Photo Rag (A1), 33” H x 23.4” W (84.1cm x 59.4cm) 2004